The purpose of this article is to examine how artificial intelligence has changed the way images are produced and distributed after photography. Bazin defined the photography as an auto-generated image, and Flusser defined it as the first technical image and saw the property as the program’s automatism. The core of the image production method using computer programs and algorithms, which are rapidly evolving in recent years, is automation. In this regard, it can be said that the artificial intelligence image inherited the automaticity of photography. The problem here is that humans are excluded. The same problem occurs not only in the production process of images, but also in the process of receiving and distributing images. This is because it automatically accepts information that is automatically calculated. This article seeks to explore where human positions are in this cultural environment dominated by automatism.